After inventing fast image processing algorithms in a research project, Bernard stumbled upon the ability of related techniques to create unusual-looking image sequences, by iterating algorithms under the real time control of mouse gestures. He added capabilities to develop the art potential of this idea.
The “Pastime” software application was written in 1986 for Xerox “D” machines to create distinctive black-and-white images.
Snapshots from a few Pastime sessions are shown below.
When good quality color became affordable in 1987 with Apple’s Mac IIx, Bernard adapted the Pastime concepts to color images and wrote the ImproVision application.
Pastime and ImproVision are both interactive instruments for visual artists — tools for the gesture-driven, computer-assisted creation of visual art — and they provide a unique experience in real-time generation of abstract art video.
The resulting images are neither human-created, nor computer-created according to any predefined description; they are the result of a fragile real-time cooperation of the visual artist with image processing algorithms.
